Vinyl records typically yield 55 65 db.
Full dynamic rang vinyl.
These releases on the other hand deliver music at its optimum sound level dynamically leaving the listener to decide on the playback level.
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Pcm of any flavor has a flat response to fs.
Vinyl s dynamic range is dependant on frequency because vinyl doesn t have a flat maximum output curve.
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The dynamic range of digital audio systems can exceed that of analog audio systems.
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This is clearly a significant difference but what does this have to do with needle skipping.
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16 bit cd digital audio has a technical dynamic range of 96 db though many argue the perceived range is higher when taking dithering into account.
Similar to many labels since the mid late 90 s earache began releasing remasters that had compressed dynamics compared with the original releases.
The dynamic range of a direct cut vinyl record may surpass 70 db.
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A 24 bit recording holds the potential for 144db of dynamic range.
Fdr vinyl our full dynamic range releases were made in response to the so called loudness wars with the dynamic range of music being restricted more and more in an effort to make it sound louder.
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Earache s idea of full dynamic range vinyl reissues is to counteract the loudness war and ensure that fans hear the music as it was intended to sound pure and organic audio pressed straight to 180 gram vinyl from the original studio analogue or dat tapes many of which were stored for 20 years.
When i cut a master for vinyl and a cd master from the same digital master tape they sounded pretty much the same except for the noise floor.
Consumer analog cassette tapes have a dynamic range of 60 to 70 db.
As many of us know in a fair amount of digital masters the dynamic range is typically limited.
Yes vinyl was noisier.
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A vinyl record on the other hand only has about 55db to 65db of dynamic range.
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With the above in mind i began exploring why some vinyl records have greater dynamic range rightly concluding that mastering lay at the heart of the issue.
